 
  
 
 
Reality Mind Over Matter
 Mind Over Matter is the first release to come out of the 
enigmatic MSS Records empire. Featuring the sermonic work of 
dread-head rapper Reality Odio, the project comes hard-hitting 
with consistent sombre tones and serious lyrical statements, wrapped 
in very hip-hop, urban production. 
  
AKA John Aaron Robinson, Reality paints his stark Nureau 
perspective on a soundboard that includes 14 tracks, many of them rife
 with guest shots, some notable, some not.  No doubt, the heads of holy
 hiphop will flock to this CD, eager to feast on the phat tracks and 
flows.  They will not be disappointed.  Those looking for vocal grooves
 and song will not find much here that satisfies. 
  
Select tracks include “The Day God Called”, which is a testimonial 
flow with a short vocal loop from Anthony Church (of the 
crew Divine Order) travelling underneath.  It also features a 
mid-track groovesome beat break that deserves a longer ride. 
  
“Can’t Be Idle: Idol” is a cut with a disjointed feel, partly due 
to the interspersion of spoken scripture segments without accompanying 
beat tracks.  However, the repeated, multiply-stacked vocal chorus 
of “can’t be idle, drop the title, ‘cuz what we have is vital” is hype,
 with nice horn loops and bells.  Topic?  An strong appeal for unity in the 
church.  I didn't like this one at first bob, but repeated play slowly revealed 
that the unusual structure of the cut contributes to its effect.
  
“Touch That One” is a short interlude which samples Evangelist 
E.B. Williams on preaching vocals and Tonéx on track, 
from “Untitled”, which  was the final cut on the Tonéx’s 
legendary Pronounced Toe-Nay album.  Reality produces.   
Cool stuff. 
  
“Seduction” warns that television can trap and deceive even
 the children of saints.  Spoken by Black Wife in poetic
 format, it’s packaged with a baby laugh loop.   Black Wife 
appears again on “Until I’m Done Singing”, this time offering 
up backing vocals in support of her husband (Reality), who rides
 his projects’s smoothest flows and tightest rhymes over a 
pop-ish instrumental track.  It’s perhaps the most upbeat and 
encouraging track of this project. 
  
The combo of T.Boy and 5’0  take production 
control of “Soul Control”, opting for a sound that's heavy on light 
guitar and loaded with scratches from Mazzin’ Feats.  
Highlighting the lyrics and explaining the essence of the 
cut is the line, “I give you the key to my skeleton closet,
 and pray that I don’t make a brand new  deposit”. 
  
The same production duo also handle “True Knights”, which 
is positioned as the lead single.  It’s a slammingly powerful
 call to spiritual warfare, a battle cry against the evil 
adversary that brings the combined forces of Reality, T.Boy
 and the Divine Order crew to the mic.  Starting off symphonically
 with urgent strings before the trippy beats kick in, the 
exhortation and explanation begin in earnest with alternating
 solo and chorus presentations. 
  
The project is supported with various marketing measures
 considered normal in mainstream hip-hop world, but still rather
 a novelty on the righteous side of the elements.  “True 
Knights” remixes have been released on 12" vinyl (a Club Virtue mix and a Euclid & Federal mix, plus instrumental dubs of both), which is sure
 to twist the ears of the  DJ society.  The same 
cut is represented in concept video, and with top-scale filming, is 
aiming to find itself rotating with mainstream hiphop.  Shot at night, “True 
Knights” features a strong ‘guerrilla warfare’ concept approach
 combined with gritty realism, and includes a cameo from a 
bearded Tonéx. 
  
Absent from “Mind Over Matter” are party tracks, because
 that’s not where Reality puts his focus.  His message is a 
true, but often thought-provoking and uncomfortable.  Yes, 
this can be a good thing (check out O.T. peeps like Amos, Obadiah, Hosea and
 the like), but hardly the stuff that jeepy, hands-in-the-air 
hip-hop jams are made of.  The lyrical content of Reality's rhyme is Word-breathed
 and leaves no doubt that his Source is Jesus Christ.  
Never self-righteous, his message is as equally confessional and 
self-directed as it is directed outward.  And while his rap 
flow doesn’t always perfectly fuse with the tracks,
 Reality’s production skills are evident throughout. 
  
Call him a 'new mill' prophet in the pattern and lineage of the 
 Old Testament notables.  Reality has an undeniably relevant
 message for those who have an ear to hear God’s 
reality. 
 
  
  
 Producers:  Reality Odio, T.Boy
album release date:  March, 2000 MSS Records
  
—
reviewed by Stan North — 
 
 
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