![]() ![]() ![]() |
|
![]() The Incredible Walk ![]() "B-Side" is the perfect beat banger to get things started on the album. Phanatik drops knowledge on the industry and he expresses his mission. On "Me", the classic hip hop continues as the emcee stresses the importance of looking to God and the frustration he experiences when some people elevate his flow skills above his message. Many will remember Phanatik's amazing flow over the fast tracks on The Cross Movement's Holy Culture album (see album review). Again proving that he can rap at high speed, he imparts his quick stuff on "The Amazing Grace", also featuring NY's Shabach. Both emcees passionately spit their desire to take the message of salvation to any coast that God’s grace allows. Phanatik's love for basketball is clear on "Shot Clock", as he cleverly equates the 24 second deadline (familiar to the NBA) to new mercies allotted to God’s people. Keren Sabir’s pretty vocals are weaved throughout, adding more spice to this uptempo jam. ![]() Speaking of club bangers, the title track is another one. Don’t worry, the lyrics are holy of course. Phanatik talks about the trials of dying to the flesh (Romans 7) and walking in the Spirit (Romans 8). The message alone deserves repeated listening to repeatedly, but throw in that tight beat and a funky bassline, and you just have to revisit this one. Phanatik's knack for storytelling is evident on "Come Home", a modern-day retelling of Jesus' parable of the prodigal son. Definitely for the heads, this one. The beat is simple, but still banging, and the piano sample is just what is needed to complete it. Staying with the album's theme, Phanatik ably demonstrates that you don't need to be a superhero to do The Incredible Walk.
Email This To A Friend Cross Movement Records — reviewed by Dwayne Lacy —
All content in GospelFlava © copyright 2005. No information to be reprinted or re-broadcast from this site without the expressed written consent of GospelFlava.com. All rights reserved. |
![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |