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![]() ![]() Introducing DeWayne Woods and When Singers Meet DeWayne Woods DeWayne Woods makes his solo debut with an impressive a very impressive affair. After several seasons of supporting other artists, either in the choir or as a background vocalist, Introducing DeWayne Woods and When Singers Meet is the artist up front. Backed by his rich vocal crew and a posse of accomplished producers and songwriters, Woods ![]() Starting things off is "Let Go", a sparkling song written and produced by PJ Morton, that Woods uses to declare the importance of turning everything over to God in prayer, knowing that He supplies all our needs. Great lyricism and an infectious melody mark this mid-tempo gem, which also gets a boost from resonant and increasingly complex choir harmonies. "Strong Tower", written by Levi "II" King, Jr. and produced by Aaron Lindsey, is based on Proverbs 18:10: "The name of the Lord is a strong tower: the righteous run in and are safe." Powerful keyboard and organ lines weave underneath When Singers Meet' patterned chorus and Woods' remarkably wide-ranging lead vocal. The song explodes into a brilliantly dynamic ending.
Myron Butler produces "Sunshine", with Candy West featured as Woods' duet partner. A bright instrumental arrangement fits the theme of the song's upbeat and inspirational message. Other highlights in a disc filled with them, are the two contributions from Jonathan Nelson. "You Mean The World To Me" and "I Lift My Hands" are both praise and worship in style, and simmer with intensity in their vertical communion. The closing number, "God Is", comes from the pen of Calvin Bernard Rhone, and features The Tri-City Singers in one of their final contributions as their days of existence counts down. Rhymthically and lyrically emphatic, the over eight minute long song serves as an exclamation point to an auspicious debut. On hearing this project, it is clear that DeWayne Woods and When Singers Meet no longer need any introduction.
Email This To A Friend QuietWater Entertainment / Verity Records — reviewed by Stan North —
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